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Human Race Series
TWO BIRDS PRODUCTIONS
Human Race Series
TWO BIRDS PRODUCTIONS
TWO BIRDS PRODUCTIONS
Figure I: Les Marronniers. The main maison, in winter. Cover Page View fullsize

Figure I: Les Marronniers. The main maison, in winter. Cover Page

Figure 2: View of the Provencal countryside from the theater; the Scarletti’s stone barn in the distance.  Page 3 View fullsize

Figure 2: View of the Provencal countryside from the theater; the Scarletti’s stone barn in the distance. Page 3

Figure 3: The front basin and the greenhouse orangerie behind the chestnut trees. Page 4. View fullsize

Figure 3: The front basin and the greenhouse orangerie behind the chestnut trees. Page 4.

Figure 4: LM hosts the 1980 IE Planet Earth conference. Chutney and Ed by the front door.  Page 14 View fullsize

Figure 4: LM hosts the 1980 IE Planet Earth conference. Chutney and Ed by the front door. Page 14

Figure 5: Theater of All Possibilities flyer for the 1982 Gilgamesh and Interzone/ Hyperzone world tour. Page 41 View fullsize

Figure 5: Theater of All Possibilities flyer for the 1982 Gilgamesh and Interzone/ Hyperzone world tour. Page 41

Figure 6: Cyclone in the kitchen surveys the realm, making sure the trains run on time and our guests are well fed. Page 56 View fullsize

Figure 6: Cyclone in the kitchen surveys the realm, making sure the trains run on time and our guests are well fed. Page 56

Figure 7: Chutney in the LM kitchen helping prepare lunch. page 61 View fullsize

Figure 7: Chutney in the LM kitchen helping prepare lunch. page 61

 Figure 8: Lunchtime at the 1982 Institute of Ecotechnics Galactic conference. Page 64. View fullsize

Figure 8: Lunchtime at the 1982 Institute of Ecotechnics Galactic conference. Page 64.

Figure 9: Cyclone and Chutney mid-conference, weathering the storm. Page 69 View fullsize

Figure 9: Cyclone and Chutney mid-conference, weathering the storm. Page 69

Figure 10: Hanuman herding geese by the front bassin. Page 90 View fullsize

Figure 10: Hanuman herding geese by the front bassin. Page 90

Figure 11: Using a long stick makes guiding the geese easy. Page 90 View fullsize

Figure 11: Using a long stick makes guiding the geese easy. Page 90

Figure 12: The enneagram of the emotions, used in acting class for working out scenes for the Seven Deadly Scenes, a Studio IV theater production.  Page 92 View fullsize

Figure 12: The enneagram of the emotions, used in acting class for working out scenes for the Seven Deadly Scenes, a Studio IV theater production. Page 92

Figure 13: Chutney beginning work on the TAP original play, Kabuki Blues.  Page 104 View fullsize

Figure 13: Chutney beginning work on the TAP original play, Kabuki Blues. Page 104

Figure 14: Ben, Marlowe, and Chutney preparing to shoot a scene for the ‘Ornette: Made in America’ film. Page 104 View fullsize

Figure 14: Ben, Marlowe, and Chutney preparing to shoot a scene for the ‘Ornette: Made in America’ film. Page 104

Figure 15: Chutney in the role of the bill collector for the Ornette film. Page 105 View fullsize

Figure 15: Chutney in the role of the bill collector for the Ornette film. Page 105

Figure 16: The Caravan at night, all four floors open to the public. Page 108 View fullsize

Figure 16: The Caravan at night, all four floors open to the public. Page 108

Figure 17: Chutney in the role of Mr. Kabuki, coming down the stretch. Page 108 View fullsize

Figure 17: Chutney in the role of Mr. Kabuki, coming down the stretch. Page 108

Figure 18: Flyer for the Theater of All Possibilities 1983 world tour.  Page 108 View fullsize

Figure 18: Flyer for the Theater of All Possibilities 1983 world tour. Page 108

Figure 19: Kabuki Blues, TAP tour flyer.  Page 108 View fullsize

Figure 19: Kabuki Blues, TAP tour flyer. Page 108

Figure 20: Kabuki Blues on stage at the Caravan: the Subway scene and song. Page 110 View fullsize

Figure 20: Kabuki Blues on stage at the Caravan: the Subway scene and song. Page 110

Figure 21: Kabuki Blues: the Australian Outback scene. Page 110 View fullsize

Figure 21: Kabuki Blues: the Australian Outback scene. Page 110

Figure 22: Chief Twins 77 performing on stage. Page 113 View fullsize

Figure 22: Chief Twins 77 performing on stage. Page 113

Figure 23: Poster for our Nigerian street production with Twins 77.  Page 115 View fullsize

Figure 23: Poster for our Nigerian street production with Twins 77. Page 115

Figure 24: Chutney in front of the LM main maison, returning from work in the orchard. Page 147 View fullsize

Figure 24: Chutney in front of the LM main maison, returning from work in the orchard. Page 147

Figure 25: The Atlas scene from Celestial Navigation. Page 157 View fullsize

Figure 25: The Atlas scene from Celestial Navigation. Page 157

Figure 26: Chutney being lowered into the central cave opening north of Zagreb. Page 175 View fullsize

Figure 26: Chutney being lowered into the central cave opening north of Zagreb. Page 175

Figure 27: Chutney and the rest of the Kamensko ’84 team deep underground, working their way downstream. Page 177 View fullsize

Figure 27: Chutney and the rest of the Kamensko ’84 team deep underground, working their way downstream. Page 177

Figure I: Les Marronniers. The main maison, in winter. Cover Page
Figure 2: View of the Provencal countryside from the theater; the Scarletti’s stone barn in the distance.  Page 3
Figure 3: The front basin and the greenhouse orangerie behind the chestnut trees. Page 4.
Figure 4: LM hosts the 1980 IE Planet Earth conference. Chutney and Ed by the front door.  Page 14
Figure 5: Theater of All Possibilities flyer for the 1982 Gilgamesh and Interzone/ Hyperzone world tour. Page 41
Figure 6: Cyclone in the kitchen surveys the realm, making sure the trains run on time and our guests are well fed. Page 56
Figure 7: Chutney in the LM kitchen helping prepare lunch. page 61
 Figure 8: Lunchtime at the 1982 Institute of Ecotechnics Galactic conference. Page 64.
Figure 9: Cyclone and Chutney mid-conference, weathering the storm. Page 69
Figure 10: Hanuman herding geese by the front bassin. Page 90
Figure 11: Using a long stick makes guiding the geese easy. Page 90
Figure 12: The enneagram of the emotions, used in acting class for working out scenes for the Seven Deadly Scenes, a Studio IV theater production.  Page 92
Figure 13: Chutney beginning work on the TAP original play, Kabuki Blues.  Page 104
Figure 14: Ben, Marlowe, and Chutney preparing to shoot a scene for the ‘Ornette: Made in America’ film. Page 104
Figure 15: Chutney in the role of the bill collector for the Ornette film. Page 105
Figure 16: The Caravan at night, all four floors open to the public. Page 108
Figure 17: Chutney in the role of Mr. Kabuki, coming down the stretch. Page 108
Figure 18: Flyer for the Theater of All Possibilities 1983 world tour.  Page 108
Figure 19: Kabuki Blues, TAP tour flyer.  Page 108
Figure 20: Kabuki Blues on stage at the Caravan: the Subway scene and song. Page 110
Figure 21: Kabuki Blues: the Australian Outback scene. Page 110
Figure 22: Chief Twins 77 performing on stage. Page 113
Figure 23: Poster for our Nigerian street production with Twins 77.  Page 115
Figure 24: Chutney in front of the LM main maison, returning from work in the orchard. Page 147
Figure 25: The Atlas scene from Celestial Navigation. Page 157
Figure 26: Chutney being lowered into the central cave opening north of Zagreb. Page 175
Figure 27: Chutney and the rest of the Kamensko ’84 team deep underground, working their way downstream. Page 177

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